For the most part I detest “disposable music” — the ephemeral formula-driven stuff typically found on radio. My main beef with it is that it’s b-o-r-i-n-g. There’s nothing to really engage the mind or soul. It generally sounds the same, lyrics are predictable, and is designed to be consumed and tossed away. At this point people have read into those words what I did not say. I didn’t say it has no value. I said I don’t care for it for the most part.
I was pleasantly surprised to find the album Rainbow by Ayumi Hamasaki (浜崎 あゆみ, also known as Ayu) has been musically interesting enough to actually buy last year. I’m still listening off and on.
The songs have variety in their style and instrumentation. Many have musical structure beyond type typical A-B-A-B. If you want to sing along, well, it’s Japanese with a few English phrases here and there. That kind of comes with the territory if you’re talking about J-pop stars. J is for Japanese.
The lyrics that are floating around on the Internet are mindless cut-and-paste jobs by people who have never sat down and listened to the beautiful opening poem on “Twilight” from Vangelis’ album The City.
|日が暮れる。||Hi-ga kureru.||Day falls.|
|それは時の魔法。||Sore-wa, toki-no mahō.||This is time’s magic.|
|明日同じ時、||Asu onaji toki,||Tomorrow at the same time|
|違う魔法。||chigau mahō.||there will be a different magic.|
|それは色が香りに、||Sore-wa, iro-ga kaori-ni,||It is when colour becomes fragrance,|
|香りが色に変わる時。||kaori-ga iro-ni kawaru toki.||and fragrance becomes colour.|
|そして陰は||Soshite, kage-wa||Then shadow|
|限り無い青に溶ける。||kagirinai ao-ni tokeru.||turns into fathomless blue.|
(This is my shot at the lyrics as I hear them. Corrections and comments welcome.)
Finding interesting, engaging instrumental music — especially in the oft-tired genre of rock — can be challenging. The Furious Guitar from Magnatune grabbed me fairly quickly, and in the way that Vangelis’ Direct and Mike Oldfield’s Tubular Bells did so many years ago. When I say, “Don’t look for any of this on the radio any time soon,” it’s a great compliment.
Sometimes a dose of old-school blues in in order. You might want to check out Mark Cook’s Blue Voodoo, a great mix of blues styles from basic guitar and harmonica to all-out R&B and blues rock.
Nice song by Kazumasa Oda (小田和正) entitled Tashika-na Koto (A Certainty).
A quick Google turned up English translation of the lyrics here. I’ve not checked the translation, but at a glance it looks reasonable.
The stanza from 38″ to 1’01” grabbed me right away: the music, lyrics, and video of the father and child was a universal message that I had no difficulty understanding.
|As time goes by,
can I love you?
Can I really protect you?
I looked at the sky and thought,
“What now can I do for you?”
This trio gives a clear presentation of khoomi singing, from Mongolia. The strange, almost whistling sound comes from shaping the mouth like the resonating box of a musical instrument, producing overtones. One can control the overtones by altering the shape of the mouth, allowing a person to “play” an instrument.
I encountered this interesting style of singing as a teen. In my twenties I spent time to figure it out, but haven’t practised for a decade or so. It’s not hard to figure out, but as with anything, mastering it takes serious, concerted effort.
Stumbled across a biwa. It’s a pretty rare Japanese instrument, despite the resurgence of its relative, the shamisen. It’s the lute-like instrument that the woman picks with the paddle. It’s nice to see groups keeping near extinct instruments alive.
The large horizontal stringed instruments are the koto. The recorder-like flute is called the shakuhachi.
The trio is called Rin. The song is called Sakura Sakura (Cherry Blossoms Cherry Blossoms).
This new album by Voices of Music embodies much of what I love about the music of the Baroque era. It drives to the core of the soul, regardless of the emotion. Some will make your feet dance. Others are brooding, or just odd. (Telemann has a knack for weird intervals that I’ve never gotten in sync with.) Some will make you close your eyes and simply enjoy the experience of the soul being carried away.
The clean recording allows me to crank up the volume without penalty.
… and it features the recorder which gives automatic points in my book. 🙂
While perusing Magnatune‘s current offerings, I ran into this gem. The album’s design was not to be the typical album of a set of works like Beethoven’s Symphonies 1-6, but as an entire performance of pieces chosen to compliment each other. The fact that they’re all by J.S. Bach is secondary.
You may use this player to listen to the album. (2008-11-22 Edit: The free player below has the credits after every track. It’s kind of annoying, but you’re getting a full free preview. The music flows from track to track without the woman’s voice after you buy the album.) Feel free to click through the links. They’re not loaded; I receive nothing if you click.